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Showing posts with label Harry Dean Stanton. Show all posts
Showing posts with label Harry Dean Stanton. Show all posts

Sunday, 23 April 2017

Alternate Best Supporting Actor 1984: Results

Posted on 12:28 by allenales
5. Tim Roth in The Hit - Roth gives a properly entertaining performance in creating the superficiality of his young wannabe hitman.

Best Scene: The Hit.
4. John Candy in Splash - Candy steals his film with ease with his funny take as a pseudo lothario that makes his scenes the only scenes worthwhile in the film.

Best Scene: Listening in.
3. Denholm Elliott in A Private Function - Elliott is the funniest part of his film by taking the role overly seriously, playing his hoity toit doctor as a menacing pseudo-gangster.

Best Scene: Threat to the couple.
2. Kenneth McMillan in The Pope of Greenwich Village - McMillan proves himself a great character actor with not only his wildly entertaining portrayal of a intergalactic madman in Dune, but also this down to earth heartfelt honest portrayal of a small time criminal.

Best Scene: Saying goodbye to his wife.
1. Harry Dean Stanton in Repo Man - Good Predictions Michael McCarthy, and Luke. Well for me it came down to two great characters actors giving two remarkable performances within years were they gave kind of the opposite style in the same year. Stanton with his great lead performance in the low key Paris, Texas, and here in his extremely enjoyable absurdist tone as a veteran repo man. Honestly I could switch between the two down the road, but at this moment I'm going for Stanton's hilarious turn.

Best Scene: "You calling me an asshole?"
Updated Overall

Next Year: 2012 Lead
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Posted in 1984 Alternate Supporting, Denholm Elliott, Harry Dean Stanton, John Candy, Kenneth McMillan, Tim Roth | No comments

Friday, 21 April 2017

Alternate Best Supporting Actor 1984: Harry Dean Stanton in Repo Man

Posted on 19:36 by allenales
Harry Dean Stanton did not receive an Oscar nomination for portraying Bud in Repo Man.

Repo Man is a downright bonkers film, and I mean that in a good way, about a young punk Otto (Emilio Estevez) taking a job as a repo man in L.A. where strange things occur.

Harry Dean Stanton plays Bud the man who randomly recruits Otto to repossess a car on the street through a lie saying his wife's in labor and he doesn't want to leave her car in "bad area". Now just the way Stanton says bad neighborhood told me that I was going to be in for quite the treat with this performance. Although I guess the fact that it's Harry Dean Stanton in a prominent role should have already tipped me off of that. In fact old Stanton is even top billed here, though he is indeed supporting to Estevez's Otto. Stanton's bud though acts as the access point to the strange world of repossessions. Stanton's old scraggly mannerisms perfect for the seedy world of the repo as he dulls out his advice with this rough certainty. It is quite something just to have Stanton being the mentor character of sort to Otto, as Stanton does fulfill this though not in the way you may expect. Stanton's certain type of world weariness, although I'm not certain is quite the right word as Stanton doesn't suggest Bud's tired of the world just rather he's not terribly impressed by it.

Stanton's performance makes bud as though he's this hardboiled detective giving out information on the job though of course he's not a detective. Stanton's approach though makes what this advice is quite something to say the least such as telling Otto he needs to wake up early but also that all repo men are on speed which is then shown through Bud snorting drugs up with Otto. This performance is as bonkers as the film yet it's so special because of how down to earthish Stanton plays the role. Stanton is consistently hilarious in everything he does in this film in portraying Bud's gruff, rough yet fairly casual demeanor towards his job. Stanton's so funny in just being this hard ass type which is perhaps most evident when he comes across his rival repo man and whenever Stanton delivers a salty insult their way it's a little gem. One of my favorite moments though is perhaps his annoyed scoff when the two men threaten to sue them after he gets revenge by crashing into their car.

The consistency is perhaps though what makes this performance so good as Stanton's portrayal of Bud's unflappable attitude is what is so terribly  amusing about his work here.  I love the way that even when he gets ready to take on some store robbers he still deals with it like it's just part of his daily routine. This even includes when things begin to get stranger around one car that seems to have an alien presence within it. Ol' Bud decides to commandeer it despite it risking his life for it. When Otto presses him on his hypocrisy in regards to his earlier advice, that no car is worth dying for, Stanton makes it a moment of comedic gold as he portrays the anger specifically in Bud over being called an asshole indirectly by Otto since that's what he referred to people who risked their lives over cars. I loved everything about this performance to the point that I loved every second Stanton was onscreen. He's always doing something that is at least a little entertaining through his pitch perfect portrayal of the caustic Bud. Although this is a bigger role in ways, it's another of Stanton making such an impact with fairly limited resources. Every line delivery, every reaction, there's just that extra little something that could only be brought out by Harry Dean Stanton. 
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Posted in 1984 Alternate Supporting, Harry Dean Stanton | No comments

Thursday, 13 April 2017

Alternate Best Supporting Actor 1984

Posted on 19:56 by allenales
And the Nominees Were Not:

Kenneth McMillan in Dune

Kenneth McMillan in The Pope of Greenwich Village

Sting in Dune

Harry Dean Stanton in Repo Man

Denholm Elliott in A Private Function

Tim Roth in The Hit

John Candy in Splash


For prediction purposes the Sting/McMillan/McMillan slot goes to whichever McMillan performance I prefer. 
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Posted in 1984 Alternate Supporting, Denholm Elliott, Harry Dean Stanton, John Candy, Kenneth McMillan, Sting, Tim Roth | No comments
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